Artist: Bridget Riley

Bridget Riley was born in 1931 at Norwood, London, and the daughter of a businessman. Her puerility was spent in Cornwall and Lincolnshire. She studied at Goldsmiths College from 1949 to 1952, and at the regal College of Art from 1952 to 1955. Riley has exhibited widely since her first solo show in 1962. Among numerous parades, she was included in the 1968 Venice Biennial where she won the outside Prize for painting. Riley began painting figure subjects in a semi-impressionist manner, because changed to the Neo-Impressionist technique of Pointillism around 1958, mainly producing landscapes. The same year she was deep strike by the large Jackson Pollock disposition at the Whitechapel Art Gallery in London. English mountain king of beasts and designer, the leading British exponent of Op Art, whose interest in visual effects came in part from her study of Seurats technique of pointillism. In 1960, Riley working initially in black and white, she evolved a air of life in which she explored the dynamic effects of optical phenomena. These supposed Op-art pieces, such(prenominal) as Fall, 1963, produce a disorienting somatogenetic effect on the eye. Her work shows a complete command of the effects characteristic of Op art, particularly subtle variations in size, stupefy out or placement of serialized units in an all-over pattern.

It is often on a large scale and she frequently makes use of assistants for the demonstrable execution. She turned to colour in 1966. By this time she had attracted world-wide precaution (one of her paintings was used for the cover to the catalogue o f the exhibition ?The responsive middle? a! t the Museum of Modern Art, New York, in 1965, the exhibition that gave notes to the term ?Op art?), and the seal was set on her character when she won the International Painting Prize at the Venice Biennale in 1968. If you want to get a full essay, order it on our website: BestEssayCheap.com

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